blinkers in the rain
When she laughs at my jokes, I feel like Richard Pryor. Back in his prime time glory days. You know, back when he spearheaded the stand-up craze, punching out wry, crude observations, both quibbling and scathing in his take on the white man. Moustache twitching, he prowled the stage with perfect timing and sublime pitch. As a kid, I was shocked at the things he said and while the sexual humour was lost on me – for a time – I laughed nonetheless just to be a part, to feel older, to be wiser, to roll my eyes at all the supposed nonsense of living. But I was just a dilettante to the dilettante; any probing would have shown as much. But that’s how I learned to cuss. And well, groomed as a church boy, it combined to make for something unexpected, charming and risible. So I say.
But I was determined to marry her. And some nights, I swear I saw it in the stars. So it may surprise you to hear that the core of comedy is a good helping of disgust. At the world in general. At man’s stupidity. At a woman’s dirty, flirty ways. At political rhetoric. At mass hysteria. At the way two-ply toilet paper breaks apart too easily. Or Laundromat conversations in Wisconsin. There’s a keen eye at work; when it’s real, it’s a gift. But there’s also a bit of sadness. We’ve heard the story of the sad clown who’s seen a whole lot and yes, nobody knows what trouble. There’s also an angry edge. And don’t you hate it when. Or don’t you hate it how. See, I have a theory on human emotion. When it comes to our controlled interactions, it’s all clearly defined; the boundaries are brightly demarcated, the orbits chiseled into place. But when taken raw and pure, everything moves to a hidden center – if you’re inclined, call it the human heart – where all of our feelings blur into one tightly wound ball of something I’ll call a collective shout, roar or scream.
I fought through hell – I mean, traffic – this morning and the 405 was a fuming mess. I alternately rehearsed my opening monologue and sang along to K-Earth and Elvis. Love me tender, love me sweet. Well, it’s good to be here surrounded by beautiful LA people. You have made my life complete and I love you so. Needless to say, I spent hours on the road with the windows rolled down, arm hanging out the side. I waved at the KCAL traffic copter. I made it to Figueroa.
I do badly with imitations. But nobody told me so back when I was in school. It was amateur night – truly – out at some small coffee shop with a battered mic stand. And there I was, trying to wax poetic, funny, and well-short of profound on the wiggly nature of male hormonal mystery. She was so pretty. She was hip too. She was truly in the mode. She was clearly out of place – she should’ve been out surfing with a hunky boyfriend or interning for some local commission or working on med school applications or whatever. But there she was, this pretty, preppy girl with square glasses, shaking her shoulders, giving me lots of courtesy. She was clean – that’s the word – she was clean and bright. I segued into reminiscences of Peewee’s Playhouse and Sim-Sim-Salabim. Man, it was stupid.
Life has taken a number of turns. I’ve got talent. I’ve got a mind ablaze. When everything’s clicking, I can be winsome too. I’ve taken risks though. And they haven’t always paid off; so, life lesson two is that we all need a little luck. It took me forever to find parking today; I circled the lot for at least half an hour. Twice, a bastard lurker snuck into a spot of my patient choosing. Eventually, I ended up wedging myself between a Hyundai Excel and a beat-up redneck – no offense – Ford truck. Great. Remember life lesson number two. It’s also called a lesson in timing.
My observation: we’re all generally pretty dumb. But stop, we’re not bad. Original sin and whispering Satan notwithstanding, we’re still okay, if not good. We want to laugh but few of us ever really do.
I’ve kept my nerves at bay but now they’re twitching and sparking neural energy. Tonight is the night of my big break. It’s my first paid performance, an audition for a slot on the marquee. It isn’t a large club and there won’t be many cameras. But it’s something. My dressing room is the first toilet stall with the door locked. That’s where I put on funny shirts – tuxedo tops, layered above a chiseled-buff cartoon body, layered on a shirt of glow-in-the-dark skeletal remains. Beneath, I’m just a twenty push-up guy with peach fuzz on his chest. So I say.
They call my name and just like that, I’m under the lights; they’re hot like I want to be. The AM radio ads must’ve done the trick because for a small joint, some folks are left standing and watching from the bar. The audience is a mix of sleaze and money, cheap dates and condescending outlooks. They’re drinking drinks that are worth more than my paltry day’s wages but I know enough about a range of social circles to play the part and to stare with knowing glances. In tonight’s line-up, I’m really just a time-filler and in the first half, my jokes are received with tepid applause. But during the second half of my set, everything comes together. I won’t call it an epiphany – that cheapens the idea – but something about the way cigar smoke hit the glow of neon lights makes me forget about the pressure, and to let go of disappointment. That’s life lesson three. Maybe it’s the lady sitting alone in the back, sipping from a sudsy mug. She reminds me of an old coffee shop and a bundle of bombing jibes.
By night’s end, I’m a little buzzed from sneaking beer and I’m relieved because things went well. Still giving no rest for the weary, the 405 is no better than when I left it at fading daylight. She calls me on her way to the hospital; I can imagine her dressed in her scrubs and smoking a Virginia Slim like she shouldn’t. I let her know that I’ve landed a semi-permanent gig and ask if she needs anything from the store. I tell her about the jokes that fizzled and about the manager’s packaged proposal. She tells me about the crotchety men with bedsores and how Charles and Susan have invited us to their home Bible study. I say I’ll think it over but I might feel awkward. We’ll talk dolefully about it later. But for now, I tell her about a frozen highway and how I see a smoggy night.
I’m but five miles from LAX and I’m caught staring at flashing lights, marking a path into the sky – people coming and going, running away or spotting home or maybe in pursuit of a dream. Down pass the sounds of big Boeing, roaring above. For a flashing moment, I see this Korean family dressed in seventies clothes, taking first steps onto the carpet of a new land. Coming in, the boy must have been thrilled at the sight outside his window as his baby brother slept. I think of all four of them holding hands, lost wide-eyed to the garble of noise. I think of them hunting for their bags and I want to ask the man how he felt. Still crawling, hurting for real movement, I drive by the Howard Hughes Plaza with its gaudy modern design and garish blue sign. Do you remember that time when we stuffed ourselves on Jody Maroni hotdogs while watching the Stanley Cup? We were just friends then. But of course, you knew my intentions. Did you know I came this close to holding your hand? Would I still love you if you were fat? Well, hey, it depends. And she knows I’m just teasing.
There’s a light drizzle leaving specks on my window. The smells of gasoline and burnt rubber waft through the car. Latino tunes and gangsta rap mingle mutedly over the heat of our engines. White knuckles grip wheels in frustration. I blur with the sight of blinkers in the rain.
The phone is warm on my ears and it drops to the floor as I stomp hard on the brakes, punching obscenities at the semi in front of me. Heart racing and a little flustered, I tell her what just happened and that everything’s okay. Concerned, she listens. I try to laugh it off and make a statement about LA drivers or senior citizens that I hope is witty, if a bit mean. She’s quiet. Strangely, she asks me to honk again. And again. And one more time. I know she has a purpose to this and so I do. With striking solemnity, she tells me to honk a song and everything will be okay.
Yet, all I have is rhythm and a note: languorous wail, piss-mad rage, lickety-split excitement, peaceful pause, the steady tick of turning, the cough of the common cold, the rise and fall of an audience, and the sigh of loss or romance.
But still, I try and I’m sure it angers the drivers around me but with every honk, I hear an eerie echoed response. And so begins a flooding cacophony of horns, a modern melody for an electro-concrete age. And then, she’s laughing. Of course she’s laughing and it’s like music – I mean, a drug – to me. Through the static, she laughs with so much life and hysteria and I’m bewildered as she calls out my name because there she is, the lights of a sky-blue Corolla flashing, horn honking feverishly in the night. Somewhere in gridlock, I can see her! She sees me! She’s northbound across the meridian and she’s smiling, her tiny clean silhouette waving, giggling at me and my sleeping face. And I’m laughing because this is the most wonderful thing in the world.
—
24th street intersection (w. thiebaud)
—
advice
There’s a hidden romance
Called failure that’s seldom
Afforded to the likes
Of you and me.
The starving artist,
The waiter/screenwriter
Seek appreciation right
Now in a world where
Emily Dickinson is admired for
Years spent writing
Of flowers and dusty years’ worth
Of cutesy banality.
You may know her
Better than me but
Tell her a little sun
And friendship
Could’ve done wonders.
—

two young people laughing at a man (goya)
—
“…five copies of The 3 E.P.’s by the Beta Band.”
—
Why do croutons come in airtight packages? It’s just stale bread to begin with.
- George Carlin
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punchy: final point.
—
Lately, feelin’ groovy when I run. Winding my way through tiny streets and marshy woods, I’m getting to know this corner of the world. Everyday humanity comes by way of strangers splashing me as they quench lawns on hot days. It helps you laugh through the quiet pain of distance.
—
yes
—
enjoying:

high
—
hehe
!!! Matt11:28